When Toto rolled into West Palm Beach this past July, they brought something beyond nostalgia—they brought a masterful celebration of their 45-year legacy. Playing the amphitheatre as part of a triple-bill with Men at Work and Christopher Cross, Toto delivered an 18-song set that reminded everyone why their music still resonates so deeply. This wasn’t just a nostalgia trip—it was a testament to timeless songwriting, expert craftsmanship, and the unbreakable connection between a band and its fans.
From the primal rhythms of “Child’s Anthem” to the emotional majesty of “Africa,” Toto transformed an evening under the Florida sky into a musical journey, riveting, soulful, and blessedly human.
Full Setlist – Toto, July 18, 2025
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Child’s Anthem
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Carmen
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Rosanna
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99
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Mindfields
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Pamela
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Keyboard Solo (Greg Phillinganes)
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I Won’t Hold You Back
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Angel Don’t Cry
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Georgy Porgy
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White Sister
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I’ll Be Over You
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Stop Loving You
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Home of the Brave
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Don’t Chain My Heart
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I’ll Supply the Love
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Hold the Line
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Africa
The Energy
The first chords of “Child’s Anthem” erupted through the amphitheatre like a thunderclap—shocking, confident, and reckless in the best possible way. Those twin guitars and propulsive drums felt like meeting an old friend with a new purpose. Toto didn’t ease in—they leaped.
The jump into “Carmen” and then “Rosanna” built that momentum into a wave. Suddenly, a sea of fans was singing “Hold on to your heart, hold on to your heart…” in unison, every voice threaded through over forty years of love for these songs. “99” introduced a funk-laced groove that sent bodies swaying, while “Mindfields” dug into the deeper cut fans adore—electric, immersive, and a refreshing reminder that Toto’s catalog goes far beyond radio staples.
Highlights & Crowd Moments
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When Greg Phillinganes took his moment with a keyboard solo right before “I Won’t Hold You Back,” it was a graceful pivot from shredding riffs to soft, soulful beauty. The following song became a balladic caress in the loud-night heat.
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“Angel Don’t Cry” lifted the mood with a lighter, winking charm—keyboard licks danced, drums invited two-stepping, and the crowd smiled like they’d heard a private favorite.
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For the middle stretch, “Georgy Porgy” and “White Sister” added sultry grooves and Americana sprawl, their layered harmonies feeling expansive beneath the night sky.
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As the evening wore on, “Stop Loving You” and “Home of the Brave” recalled Toto’s adventurous ’80s and ’90s. The latter—especially on a summer night—felt like a sun-drenched anthem, even after dark.
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When the pulse of “Hold the Line” started, the energy snapped to attention. It’s one of those songs where the band and crowd meet in a single moment—the audience carries the chorus, the band just keeps fueling the fire.
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Closing with “Africa” was both an inevitability and a finale worthy of closing credits. From the marimba rhythm to the soaring chorus, it felt triumphant, communal, and utterly perfect. The amphitheatre lit up, voices soared, and the band exited under a roar of gratitude.
The Vibe
Most stadium support slots feel routine, but Toto treated this like a showcase—an intimate door into who they are. Even with two high-profile openers earlier in the night, Toto owned the energy with quiet confidence and undeniable presence. Steve Lukather’s guitar carried both grit and soul; Joseph Williams handled vocals with finesse and emotional clarity. The rhythm section and production held everything steady without ever overpowering.
The crowd varied in age and style, but they were unified: heads bopping, hands raised, smiles open. And in those moments—like the syncopated call-and-response during “Rosanna”—you felt the music near-spiritual.
Lighting cues shifted smartly: red and blue wash during guitar moments, warm amber during ballads, spotlight focus during solo runs. No flash for flash’s sake—just enough shine to enhance the performance.
Tiny Quibbles
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Even by rock standards, an 18-song set can feel lean. A few more deep-cuts might’ve added spice for hardcore fans, but every choice was solid.
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The sound mix occasionally angled bass-heavy, which smudged some of the lighter guitar melodies in spots, though that rich undercurrent did add warmth to the overall sound.
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No encore. In a quirky power move, the band simply ended with “Africa.” It was bold, but it also meant walking off amidst that final wave felt abrupt—deliberately so, and kind of perfect in its own way.
Final Thoughts
Toto at the iTHINK Financial Amphitheatre wasn’t a nostalgia tour—it was a full-throated celebration of a band still evolving, still thrilling. They balanced technical prowess with genuine heart. They leaned into their biggest hits without relying on them, gave space for under-the-radar tracks to breathe, and let the crowd guide the energy.
Walking away, fans weren’t just reminiscing—they were buzzing, connected, thrilled. In this modern world of festivals and fleeting attention, that felt like a triumph.
Toto proved that classic rock isn’t just alive—it’s thriving, and when played with passion and precision, it can still move mountains—even in the heart of Florida. This wasn’t just a show, it was a legacy reaffirmed.